The music flows like slow waves of vibrations. Layers of guitars end up a powerful symphony which brings immense depth to each song.
The result is a mix of classical sounds coupled with post-rock, ambient, Folk and textural elements. the softness of confronting the soaring guitars and ramp-ups, delivering music that is rich in emotions and very colorful.
Every silver lining has a cloud invites you to discover their inner world, revealing comforting and oppressive atmosphere at a time, from darkness to light...
Extracts from press reviews : "The project is formed by the French duo of Guillaume Pintout and Cyrille Holodiuk with Haluka Chimoto providing cello. This debut album is a great introduction for this band, providing us with their mostly instrumental take on slow, post-rock and guitar-laced shoegazer sound. The album ebbs and flows across a spellbinding selection of ten tracks that will make the listener swoon with delight.
Colors and personality of the music comes from Guillaume and Cyrille energy and common inspiration. They want to express beauty in contradiction with the ugliness of the world."
“Where Earth Meets Sea” is a textural piece that envelops the spoken word by American poet Ashley Rugge, who expresses with sensitive words Guillaume and Cyrille thougths.
"Along with “Leaves across the road”, a mesmerizingly melodic track, culminating in cathartic guitars and drums sonic assaults -, it stands, without doubt, as the LP's outstanding moment. “Backward”, the tenth and last track, a slow, flowing, hypnotic-like treated guitar loop charged with an impending sense of dread, assume a more sullen, doom-laden demeanor strangely affecting, and utterly spell-bounding like a David Lynch’s slow motion dream sequence, thus ending the album on a haunting note."
“Every silver lining has a cloud”, drifts like swift nocturnal stormy clouds from one track into another, subsuming everything in the mix into its blissful, towering soulful radiance that’s impossible not to get lost in. A Gem."
"The tone is set immediately with the album-opening “Against all odds” a lonesome Atlantic gale-blown ode to the wind swarming of emotion and otherworldliness. And while “A stolen life”, the next track, truly encapsulates the delicately mournful, tensed and dramatic tenor that heightens most of the album – unlocking, as such, a panorama of desolate and elemental grandeur -, it is with “The leaden sky” that the album reaches its ultimate peak: commencing with brooding, feverish washes of guitar, it grows into a graceful cinematic soundscape that veers from chaotic to dreaming and back again." read more